The Leper in Blue: Coercive Performance and the Contemporary Latin American Theater
Drawing on contemporary debates surrounding performance, gender and latin American studies, this book examines representations of performance within dramatic texts. It explores the work of individual playwrights such as Vicente Lenero, and topics including ritual game playing.
86 pages matching play's in this book
Results 1-3 of 86
What people are saying - Write a review
We haven't found any reviews in the usual places.
Performance Textuality and the Narration of History
Performance and Games
5 other sections not shown
abstract spectacle action Acto cultural actors Aguila o sol Agustino Ana Fs Argentina argues audi audience audience's becomes Berman's Bolivar Capitán Castellanos's Cerdin characters Chencha coercion coercive context Cortes critique cross-dressed describes destabilize discussed doll dramatic text Eduardo Emma Emma's eterno femenino feigned paralysis female feminine figure foregrounding formance Franco Galindez Gambaro's gender gender roles Griselda Gambaro historical hombre immobility insists Juana Juana la Loca juego Lector lence Lenero's Lupita male Malinche Mama Negra mance Martirio de Morelos Maruxa Moctezuma Morelos Morelos's mujer mustache narration narrative nonperformance obra observes offstage Pajarito Pedro performance Peter Weiss play play's present Preso prisoners question reading reality reenactment repetition representation represented ritual role ROMANCE LANGUAGES Sabina Berman scene script sexual social space spectator stage suggests Taylor teatro terror theater theatrical tion Torres Molina's torture translation transvestism transvestite underscores Uruguay victim violence visible woman women