Relocating Popular MusicE. Mazierska, G. Gregory Relocating Popular Music uses the lens of colonialism and tourism to analyse types of music movements, such as transporting music from one place or historical period to another, hybridising it with a different style and furnishing it with new meaning. It discusses music in relation to music video, film, graphic arts, fashion and architecture. |
Contents
Spaces of Protest in Turkish Popular Music | 27 |
Sampling the Sense of Place in Baile Funk Music | 44 |
The Answer to the Unspoken Question | 63 |
The Case | 84 |
Relocations in Classical | 104 |
Abbey Road Studios the Tourist and Beatles Heritage | 129 |
Tallinn Old Town | 148 |
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Abbey Road Studios accessed 03 September aesthetic album Anthology Antwoord argues artists audience authenticity baile funk banal banal nationalism band Beatles Beatles Anthology Brazilian Britpop cinema classical minimalism concept contemporary context culture Dark Tourism Detroit techno discourse Eminem emphasises Estonian example Falco Fatty Boom Boom favela film Frith funk music global Grup Kızılırmak heritage heterotopia hip hop hip hop culture identity jazz Kızılırmak Lefebvre London minimal techno minimalist Morrissey Morrissey’s music genres music videos musicians Ninja Old Thomas original performance political popular music postmodern present production rapper record references Reich relocation remix representation rock music Routledge sample sense of place September 2014 Serbian Serbian nationalism social song sound South African Soviet space spatial specific Studies style suggests Tallinn tion tourist gaze traditional turbo-folk Turkey Turkey’s Turkish University Press urban Urry and Larsen visual Western Whiteley Yo-landi York Yugoslav