Eloquence Is Power: Oratory and Performance in Early America

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UNC Press Books, Dec 1, 2012 - History - 320 pages
Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word.

Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.

 

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Contents

Language and Power in SeventeenthCentury British America
1
Gender in Performance
40
The Savage Speaker Transformed
75
Negotiating Power
111
The Oratorical Public Culture of Revolutionary America
140
The Body of the Nation
171
Forms of State
200
Political Speech in the New Republic
233
Conclusion
267
Traditions of the Ancients
271
Index
279
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About the author (2012)

Sandra M. Gustafson is associate professor of English at the University of Notre Dame.

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