Aspects of Indian Music: A Series of Special Articles and Papers Read at the Music SymposiaPubications Division, Ministry of Information and Broadcasting, Government of India, 1970 - Music - 103 pages |
Contents
KARNATAK MUSIC | 7 |
RAGA AND RASA | 20 |
ETERNAL PARADOX IN INDIAN MUSICTHE SHRUTIS | 33 |
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Common terms and phrases
according aesthetic ancient anga artistes basic beauty become Bharata called century changes classical music combined common composers composition context cycles dance definite delight described dhrupad divisions effect elaboration emotion example experience expression fact feeling fifth five flat four fourth gamaka gandhara give given hand harmony important Indian music indicates individual instance intervals kala Karnatak music khayal kinds known later laya light listener means measure melodic mentioned mind mood movement musicians nature notes orchestra origin pallavi particular pattern perfect performance pitch play popular possible practical produced Puranas pure Radio raga rasa reference rendering rhythm rhythmic samvadi Sanskrit says scale sense sentiment shrutis similar singer singing songs sound South style svara tala tempo theory thumari tion tonal tone tradition units vadi vadi and samvadi varieties various voice vritti Western