Colonial Strangers: Women Writing the End of the British Empire

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Rutgers University Press, 2004 - Literary Criticism - 241 pages
Colonial Strangers revolutionizes modern British literary studies by showing how our interpretations of the postcolonial must confront World War II and the Holocaust. Phyllis Lassner's analysis reveals how writers such as Muriel Spark, Olivia Manning, Rumer Godden, Phyllis Bottome, Elspeth Huxley, and Zadie Smith insist that World War II is critical to understanding how and why the British Empire had to end.

Drawing on memoirs, fiction, reportage, and film adaptations, Colonial Strangers explores the critical perspectives of writers who correct prevailing stereotypes of British women as agents of imperialism. They also question their own participation in British claims of moral righteousness and British politics of cultural exploitation. These authors take center stage in debates about connections between the racist ideologies of the Third Reich and the British Empire.

Colonial Strangers reveals how the literary responses of key artists represent not only compelling reading, but also a necessary intervention in colonial and postcolonial debates and the canons of modern British fiction.


 

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Contents

Strangers at the Gates The Middle East
17
Strangers in a Walled Garden Rumer Goddens AngloIndia
70
Red Strangers Elspeth Huxleys Africa
118
Island Strangers Phyllis Shand Allfrey and Phyllis Bottome
160
Conclusion
190
Notes
203
References
223
Index
237
Copyright

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Page 12 - Bhabha in his post-colonial theory of culture. ...[Cjolonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. Which is to say, that the discourse of mimicry is constructed around an ambivalence; in order to be effective, mimicry must continually produce its slippage, its excess, its difference.

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