Sons and LoversSons and Lovers is one of the landmark novels of the twentieth century. It was immediately recognized as the first great modern restatement of the oedipal drama when it appeared in 1913 and is widely considered the major work of D.H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working class family rife with conflict. The author's vivid evocation of life in a Nottingham mining village in the years before the First World War and his depiction of the all-consuming nature of possessive love and sexual attraction make this one of his most powerful novels. "Of all Lawrence's work, Sons and Lovers tells us most about the emotional source of his ideas," observed Diana Trilling. "The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family." For Kate Millett, "Sons and Lovers is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it." |
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SONS AND LOVERS
User Review - KirkusWhen Sons and Lovers was first seen by its reading public in 1913, its publishers had in fact, out of caution and timidity, shortened Lawrence's originally submitted version by about ten percent—cuts ... Read full review
Review: Sons and Lovers
User Review - Steve TK - GoodreadsThis semi-autobiographical novel is important in understanding Lawrence's relationships to class, to his mother, and to love and sex. And it's a remarkably modern read, considering that it was ... Read full review
Contents
The Early Married Life of the Morels | 3 |
The Birth of Paul and Another Battle | 43 |
The Casting Off of MorelThe Taking On of William | 72 |
Copyright | |
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afraid Annie answered arms asked beautiful began better blue body called child Clara close cold coming cried dark Dawes don't door everything exclaimed eyes face father feel felt field fingers fire flowers forward gave girl give gone hair half hand hard hated head heard heart held hurt It's kissed knew laughed leave light live looked marry mind minute Miriam Morel morning mother mouth moved never nice night o'clock Paul replied rose round seemed shillings side silence sort soul stand stood strong suddenly sure talk tell there's things thought told took touch turned voice waited walked warm watched wife woman women wonder young