What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
advantage ancient appeared arch attempt Banquo beauty censure character commerce common considered copies criticism curiosity dictionary died hereafter diligence discovered drama easily editions editor elegance Eloisa to Abelard endeavoured English enquiry Epictetus EPITAPHS equally excellence exhibit expected Falstaff favour formed France French genius Habit happiness Harleian library Henry honour hope imagination inserted justly kind king king of Portugal knowledge known labour language learned lence less likewise Macbeth mankind means ment mind nation nature necessary neral never NOTE obscure observed opinion orthography passage passions perfect spy perhaps play pleasure poet Pope Portuguese praise preserved Prester John prince produced publick racters reader reason religion remarkable Roman scenes seems sense sentiments Shakespeare shew shewn sometimes Spain speech suffered sufficient supposed Thane things thought tion trade traffick tragedy truth witches words writers written
Page 460 - She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle!
Page 435 - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
Page 429 - This castle hath a pleasant seat ; the air Nimbly and sweetly recommends itself Unto our gentle senses.
Page 85 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine, and the mourner burying his friend...
Page 86 - That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature. The end of writing is to instruct ; the end of poetry is to instruct by pleasing.
Page 64 - In hope of giving longevity to that which its own nature forbids to be immortal, I have devoted this book, the labour of years, to the honour of my country, that we may no longer yield the palm of philology without a contest to the nations of the continent.
Page 97 - Delusion, if delusion be admitted, has no certain limitation. If the spectator can be once persuaded that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason or of truth, and from the heights of empyrean poetry may despise the circumscriptions of terrestrial nature.
Page 80 - Shakespeare is, above all writers, — at least above all modern writers, — the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 66 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...