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according artist beginner breadths of light brought forward Brown Madder Brown Ochre brush Burnt Sienna Burnt Umber canvas CARNATIONS character colours and tints complexion composed composition dark darker dead colouring degree delicacy dispositions drapery drawing drying oil effect employed expression face finishing folds following tints French Blue frequently glaze gradations ground hair half tints hands harmony head highest lights hues imitation impasto Indian Lake Indian Red Ivory Black judiciously laid light and shade Light Red Madder Lake manner markings middle tint mouth Naples Yellow natural necessary observation obtained painter palette passages PERSONAL DEFECT picture portrait painting portraiture pose practice proportion Purple Lake Raw Sienna Raw Umber reflexes relief Rose Madder second painting shade tint shadows sitter sketch softened student surface Terre Verte THIRD PAINTINGS tion tone touch treatment Ultramarine Vandyke Brown vehicle Venetian Red Vermillion warm White and Naples Yellow Ochre
Page 30 - The Eye is the dominant feature, and its expression precedes even the language of the lips in challenging the attention of the spectator.