The Social History of Art, Volume 3 |
Contents
1951 | 3 |
THE NEW READING PUBLIC | 38 |
THE ORIGINS OF DOMESTIC DRAMA | 84 |
Copyright | |
4 other sections not shown
Common terms and phrases
absolute aesthetic already aristocracy artistic attitude baroque becomes beginning bour bourgeois bourgeoisie Byron character classical antiquity classicism classicistic conflict court courtly culture David Delacroix Diderot drama economic eighteenth century England enlightenment expression fact feeling feudal franç France FRANCESCO GUARDI freedom French Friedrich Schlegel genre German Goethe hand hero history of art human idea ideal individual influence intellectual intelligentsia July revolution l'art less liberal literary literature longer Louis Louis XIV Louvre Marivaux means melodrama ment merely Middle Ages middle class modern Molière moral nature never nineteenth century nobility Novalis novel origin outlook painting Paris pastoral period philosophy plays poet poetry political popular pre-romanticism princes principle progressive rationalism reality relationship Renaissance represented Revolution revolutionary rococo romantic movement romanticism Rousseau Salon sentimental social society spiritual Storm and Stress style subjectivism taste tendencies theatre tion tragedy trend upper classes Voltaire Watteau whole writers