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absolute aesthetic aestheticism already aristocratic artistic attitude Balzac Baudelaire becomes begins bour bourgeois society bourgeoisie Champfleury character classical colour conception conflict consciousness criticism CUBISM culture dadaism described Dickens Dostoevsky drama economic elements everything existence experience expression fact feeling fight film Flaubert France French genre George Eliot heroes human Ibid Ibsen idea ideal impressionism impressionistic individual intellectual intelligentsia July monarchy liberalism literary literature Madame Bovary material means ment merely middle class modern moral movement naturalism naturalistic never Nietzsche nineteenth century novel operetta outlook painting Paul Bourget period philosophy play poetry poets political principle problems production Proust psychological purely rationalism readers realism reality relationship represents Revolution romantic romanticism Russian Second Empire sense Slavophils social social novel socialistic spiritual spite stage Stendhal story struggle style symbol taste theatre Thomas Mann tion Tolstoy Victorian Werner Sombart whole words writers Zola