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admirable adventure American auction beauty Bookman Cabell called Century character charm color course critics Curwood delight Doran Doran Company editor England English eyes fact feel Frederick O'Brien George girl give Gopher Prairie Gossip hand Harper heart Henry Houghton human humor interest James James Oliver Curwood John John Maynard Keynes less letters literary literature living London look Margot Asquith Mark Twain Mary Mary Roberts Rinehart matter ment mind Miss N. C. Wyeth never night novel novelist person Philip Gibbs Phillips Oppenheim picture play poem poet poetry printed published readers romance Scribner seems sense soul South Seas spirit story Street talk tell thing thought tion told ture verse volume W. H. Hudson White Shadows William woman women words write written wrote York young
Page 99 - To arrest, for the space of a breath, the hands busy about the work of the earth, and compel men entranced by the sight of distant goals to glance for a moment at the surrounding vision of form and colour, of sunshine and shadows; to make them pause for a look, for a sigh, for a smile — such is the aim, difficult and evanescent, and reserved only for a very few to achieve.
Page 289 - ... the day-fall. He is golddusty with tumbling amidst the stars. He makes bright mischief with the moon. The meteors nuzzle their noses in his hand. He teases into growling the kennelled thunder, and laughs at the shaking of its fiery chain. He dances in and out of the gates of heaven : its floor is littered with his broken fancies. He runs wild over the fields of ether. He chases the rolling world. He gets between the feet of the horses of the sun. He stands in the lap of patient Nature, and twines...
Page 121 - ... truth is great and will prevail if left to herself, that she is the proper and sufficient antagonist to error, and has nothing to fear from the conflict, unless by human interposition disarmed of her natural weapons, free argument and debate, errors ceasing to be dangerous when it is permitted freely to contradict them...
Page 99 - My task which I am trying to achieve is by the power of the written word to make you hear, to make you feel — it is, before all, to make you see. That — and no more, and it is everything. If I succeed, you shall find there according to your deserts encouragement, consolation, fear, charm — all you demand — and, perhaps, also that glimpse of truth for which you have forgotten to ask.
Page 508 - ... practised the literary scales; and it is only after years of such gymnastic that he can sit down at last, legions of words swarming to his call, dozens of turns of phrase simultaneously bidding for his choice, and he himself knowing what he wants to do and (within the narrow limit of a man's ability) able to do it.
Page 289 - The universe is his box of toys. He dabbles his fingers in the dayfall. He is gold-dusty with tumbling amidst the stars. He makes bright mischief with the moon. The meteors nuzzle their noses in his hand. He teases into growling the kennelled thunder, and laughs at the shaking of its fiery chain. He dances in and out of the gates of heaven; its floor is littered with his broken fancies. He runs wild over the fields of ether. He chases the rolling world.
Page 106 - Can your performance face the open fields and the seaside? Will it absorb into me as I absorb food, air, to appear again in my strength, gait, face?
Page 350 - Come you back, you British soldier; come you back to Mandalay!' Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay!