A Critique of Hindusthani Music and Music Education |
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Page 14
... employed for the accompaniment of melodization of Samans . These two Brahmanas describe the techniques employed in the melodization of different metres of the Samvedic music . A reference to the three pitches i . e . Mandra , Madhya and ...
... employed for the accompaniment of melodization of Samans . These two Brahmanas describe the techniques employed in the melodization of different metres of the Samvedic music . A reference to the three pitches i . e . Mandra , Madhya and ...
Page 96
... employed in the Raga , but for practical usage the Swarsthana - graphs are quite sufficient . Swarasthana Graph No. 6 : depicts the symmetrical features of the Arohavaroha of raga Bhairavi . It also shows that Risabha , Gandhar ...
... employed in the Raga , but for practical usage the Swarsthana - graphs are quite sufficient . Swarasthana Graph No. 6 : depicts the symmetrical features of the Arohavaroha of raga Bhairavi . It also shows that Risabha , Gandhar ...
Page 97
... employed in both the ragas but the two have different identities because they belong to different ' Thats ' . Comparative Swarasthana Graphs No. 10 and 11 reveal that although there is a similarity in names of Swaras employed in ...
... employed in both the ragas but the two have different identities because they belong to different ' Thats ' . Comparative Swarasthana Graphs No. 10 and 11 reveal that although there is a similarity in names of Swaras employed in ...
Contents
Philosophical Importance | 1 |
Importance For International Understanding | 7 |
PostIndependence | 11 |
Copyright | |
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Common terms and phrases
Abhinavagupta According aesthetic Alamkars Alaps Amir Khushru Anupa Aroha Arohavaroha ASAWARI asked aspects BHAIRAVI Bharata Bhatkhande Ji Bhaṭṭa BILAWAL Bombay Brahaspati cartilages chapter classical music College compositions dancing derivative ragas DHAIVATA Dhrupad Digambar disciples folk-songs Gandharva gives Grāma Hindi Hindi Translation Hindustani Music Hrdaya important Indian Music Instrumental Music JĀTIS Kalanidhi Khan KHAYAL KOMAL Lakshya Laya lesson Madhya MADHYAMA Mandra Matanga Mela melodies Murchhana music-education music-teacher musicologists musicologists and musicians notation Paluskar period Persian pitch poetry produced Pundarika pupil-teacher pupils questions RĀGA Ragas Raginis Rājā Rasa recognised ṢADJA Sangeet Sangita Sangita Ratnakar Sanskrit scholars schools seven notes Simha singing Sitar sound Śrutis stage string Śuddha Svaras Swara syllabus Tabla Tanpura teacher teaching aid teaching music tests theory and practice Tivra V. N. Bhatkhande various vibrations Vikrita Svaras Vocal Music vocal-cords voice voice-culture Yes/No