Modern Art, 1905-1945
Chambers Arts Library is a new series designed to provide students and general readers with authoritative, affordable and beautifully illustrated books on a range of topics. Written by experts and featuring extensive bibliographies, this collection is an essential resource for anyone with an interest in the arts. Modern Art 1905-1945 provides an introduction to modern art and criticism that will be valuable to both students and general readers. It analyses the major movements in painting, sculpture and architecture - Fauvism, Expressionism, Cubism, Futurism, Surrealism, Abstraction - as well as the lesser-known movements of the era. Biographical information and lists of key works highlight the significance of figures such as Picasso, Kandinsky and Matisse, whose works were to influence fundamentally the art of the second half of the twentieth century. Covers movements including Fauvism, Cubism, NeoPlasticism, Dadaism, Surrealism and Magic Realism. Over 100 colour plates, including some of the most significant works of the early 20th century, with informative captions. Panels focus on the life and work of key artists. Chronology puts works in political and social context.
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Fauvism p 14 Expressionism p 19 Naive art p 25
REVOLUTIONS THROUGH FORM
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20th century abstract academic ADAGP aesthetic Apollinaire architects architecture artists avant-garde Bauhaus Berlin Blue Rider Bonnard Breton Carel Willink Cezanne composition Constructivists contrast Corbusier created critical Cubism Culture Dada Dadaists death decorative depiction Derain despite Doesburg Ernst exhibition Expressionism Expressionist Fauves Fauvism figures France Franz Marc Futurists geometric George Grosz German Giorgio de Chirico Goncharova Gropius Grosz human influence inspiration Japanese Jean Joubert Kandinsky Kasimir Malevich Klee Kokoschka landscapes Larbor Archives Larionov lnternational London Louis ltalian ltaly Magritte Malevich Manifesto Marcel Duchamp Matisse Max Beckmann Max Ernst MNAM Modern Art MOMA Mondrian Moscow movement Munch Musee Museum Neo-Plasticism Otto Dix Ozenfant painters painting Paris Paul period Picabia Picasso planes portraits principles private collection realism rejected Revolution Robert Delaunay Rodchenko Rodin Russian Schwitters sculpture Section d'Or space Stijl style Suprematism Suprematist Surrealism Surrealist Tatlin technique themes theory tion tradition Vallotton World York