...; and as there was no great danger of hurting the lenfe of thofc extraordinary pieces, our authors would often make words of their own which were entirely foreign to the meaning of the paflages they pretended to tranflate ; their chief care being to make the numbers of the Englijb verfe...

...j and as there was no great danger of hurting the fenfe of thofe extraordinary pieces, our authors would often make words of their own which were entirely foreign to the meaning of the paffages they pretended to tranflatej their chief care being to make the numbers of the Englifh verfe...

...: and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own, which were entirely...same tune. Thus the famous song in Camilla : Barbara si t'intendo, Sec. Barbarous woman ! yes, I know your meaning— which expresses the resentments of...

...there was no great danger of hurting the sense of those extraordinary pieces, our authors would oftea make words of their own which were entirely foreign to the meaning of the passages thoy pretended to translate ; their chief care being to make the numbers of the English verse answer...

...({reut danger of hurting th» sonso of those extruordbwv nltctiM, our author» would often make word* of their own which were entirely foreign to the meaning of the pannage* they prelrndrd to ti'uiinlulc ¡ their chief cure bring to make the numlH'i'H uf the l''.iigli*h...

...operas ; and as there was no danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own, which were entirely...Thus the famous song in Camilla, • . . : . Barbara si t'intendo, ' Barbarous woman, yes, I know your meaning/ which expresses the resentments of an angry...

...operas ; and as there was no danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own, which were entirely...same tune. Thus the famous song in Camilla, Barbara si t'intendo, ' Barbarous woman, yes, I know your meaning,' which expresses the resentments of an angry...

...the sense of those extraordinary pieces, our authors would often make words of their own, which w ere entirely foreign to the meaning of the passages they...tune. Thus the famous song in Camilla : * Barbara à CinttndoJ &c. ' Barbarous woman, yes, I know your meaning ;' which expresses the resentments of...

...; and as there was no great danger of hurting the sense of those extraordinary pieces, our authors would often make words of their own which were entirely...same tune. Thus the famous song in Camilla, ' Barbara si fintendo,' &c. * Barbarous woman, yes, I know your meaning,' which expresses the resentments of...

...operas; and as there was no great danger of hurting the sense of those extraordinary pieces , our authors would often make words of their own which were entirely...to translate ; their chief care being to make the num. bers of the English verse answer to those of the Italian, that both of them might go to the same...