Memoirs from the Beijing Film Academy: The Genesis of China’s Fifth Generation

Front Cover
Duke University Press, 2002 - Biography & Autobiography - 233 pages
0 Reviews
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.

What people are saying - Write a review

Memoirs from the Beijing Film Academy: the genesis of China's fifth generation

User Review  - Not Available - Book Verdict

From 1980 to 2000, Ni Zhen taught art direction and film theory at the Beijing Film Academy, whose 1982 graduates included Chen Kaige (Farewell My Concubine) and Zhang Yimou (Raise the Red Lantern ... Read full review


Translators Introduction
Preface to the English Edition
Notes to the Grindstone
First Steps

Other editions - View all

Common terms and phrases

About the author (2002)

Ni Zhen is a consultant to the Shanghai Film & TV Company and Visiting Professor at the Shanghai Theater Academy. He was Professor of Art Direction and Professor of Film Theory at the Beijing Film Academy, where he taught from 1980 to 2000. He has written screenplays for films including Raise the Red Lantern and Blush.
Chris Berry is Associate Professor in the Program in Film Studies and the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley.

Bibliographic information