| John Flaxman - Anatomy, Artistic - 1829 - 466 pages
...Ictinus and Callicrates, was under the direction of Phidias, and to him we probably owe the compositions, style and character of the sculpture, in addition...much assistance in drawing, modelling, choice of the naked, and draperies, as well as occasional execution of parts in the marble. The emulators of Phidias... | |
| George Cleghorn (writer on art.) - 1848 - 366 pages
...on the Acropolis of Athens, erected by Ictinus and Callicrates, was under the direction of Phidias, and to him we probably owe the composition, style,...and character of the sculpture, in addition to much in drawing and modelling, choice of the naked forms and drapery, as well as occasional execution of... | |
| George Cleghorn - Art - 1848 - 368 pages
...Athens, erected by Ictinus and Callicrates, was under the direction of Phidias, and to him we probahly owe the composition, style, and character of the sculpture, in addition to much in drawing and modelling, choice of the naked forms and drapery, as well as occasional execution of... | |
| John Flaxman - Sculpture - 1865 - 438 pages
...Phidias the Athenian." under the direction of Phidias, and to him we probably owe the compositions, style and character' of the sculpture, in addition...and 'draperies, as well as occasional execution of parts HI the marble. '•. .'ff insw The emulators of Phidias were Alcamenes, Critiae, N estocles,... | |
| Augustus John Cuthbert Hare - London (England) - 1878 - 556 pages
...in the Acropolis of Athens, erected by Ictinus and Callicrates, was under the direction of Phidias, and to him we probably owe the composition, style,...much assistance in drawing, modelling, choice of the naked, and draperies, as well as occasional execution of parts in the marble. " The emulators of Phidias... | |
| Augustus John Cuthbert Hare - London (England) - 1878 - 538 pages
...in the Acropolis of Athens, erected by Ictinus and Callicrates, was under the direction of Phidias, and to him we probably owe the composition, style, and character of the sculptore, in addition to much assistance in drawing, modelling, choice of the naked, and draperies,... | |
| |