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adaptation aesthetic ambiguity Andara Angel Guerra appearance ar.d Aranda artistic Beatriz become beggars Belle de Jour bizarre bourgeois Bunuel Bunuel's films Bunuel's Tristana Carlos Fuentes Carlos Saura carnal Casalduero Celestina characters charity child church thief cinematic close-up cousin crippled critical dialogue don Jaime don Jaime's don Lope erotic feelings fiction film's filmmaker filmmaker's final follows Francisco Galdós Galdosian grotesque Guerra and Halma Horacio influence Jorge Jorge's Jose Antonio later Lazarillo de Tormes Lere Lere's liberal literary literature live look Lope's lover Luis Buñuel Madrid marriage medium Mexico mistress mother narrator Nazarin novel novelist obsession Olvidados passion Perez Galdos perverse physical picaresque picaresque novel pineapple Pinto plot priest protagonist question Ramona Raymond Durgnat relationship religious Saturno scene seduce servant shot shows society Spain Spanish spiritual sublimated Surrealism and Film themes tion Toledo traditional Tristana's sexual Ujo's viewer Viridiana visual woman words writer young