Film Art: An IntroductionSeeks to introduce the reader to the aesthetics of film. |
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Page 304
... Godard . In Eisenstein's Strike the massacre of workers is intercut with the slaughter of a bull . In Godard's La Chinoise , a character tells an anecdote about the ancient Egyptians who , he claims , thought that " their language was ...
... Godard . In Eisenstein's Strike the massacre of workers is intercut with the slaughter of a bull . In Godard's La Chinoise , a character tells an anecdote about the ancient Egyptians who , he claims , thought that " their language was ...
Page 403
... Godard presents a series of jump cuts of Patricia during a conversation in a car ( Figs . 8.110 , 8.111 , again showing the last and first frames of contiguous shots ) . Fig . 11.39 Fig . 11.40 Even when Godard shifts the camera ...
... Godard presents a series of jump cuts of Patricia during a conversation in a car ( Figs . 8.110 , 8.111 , again showing the last and first frames of contiguous shots ) . Fig . 11.39 Fig . 11.40 Even when Godard shifts the camera ...
Page 474
... Godard , Jean - Luc . Godard on Godard . New York : Viking , 1972 . Graham , Peter , ed . The New Wave . Garden City , N.J .: Doubleday , 1968 . Hillier , Jim , ed . Cahiers du Cinéma : The 1950s : Neo - Realism , Hol- lywood , New Wave ...
... Godard , Jean - Luc . Godard on Godard . New York : Viking , 1972 . Graham , Peter , ed . The New Wave . Garden City , N.J .: Doubleday , 1968 . Hillier , Jim , ed . Cahiers du Cinéma : The 1950s : Neo - Realism , Hol- lywood , New Wave ...
Contents
Social Factors in Film Production | 10 |
Implications of Different Modes of Film Production | 26 |
Notes and Queries | 33 |
Copyright | |
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abstract actors André Bazin angle animation artwork audience Ballet mécanique begins camera movement causal Chapter character's characters cinema cinematographer Citizen Kane classical Hollywood classical Hollywood cinema close-up Color Plate contrast conventions create cues David Bordwell dialogue diegetic director documentary effects Eisenstein elements emotional emphasize example expectations Figure film form film's filmmaker flashback footage formal system function genre Girl Friday graphic Hitchcock Kane's lens light long take look manipulation mise-en-scene mobile frame montage montage sequence motif motivation move Movie narration narrative film narrative form newsreel nondiegetic nonnarrative North by Northwest objects offscreen overall pattern plot present Raging Bull range of knowledge relations rhythm Roger Rosebud scene Segment sequence shape shooting sound track space spatial specific spectator story events story information studio style stylistic suggest Susan suspense techniques temporal Thompson University Press usually viewer visual Wizard of Oz York