At Home in the World: Bharata Natyam on the Global Stage

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Wesleyan University Press, May 21, 2007 - History - 222 pages
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One of the most popular and widely performed dance styles in India and around the world, bharata natyam has made the transition from its beginnings in the temples and courts of southern India to a highly respected international phenomenon. In this study of a classical dance form, author Janet O’Shea tracks the choreographic transformations that accompanied the transfer of bharata natyam to the urban concert stage in the 1930s and 1940s. At Home in the World situates these changes within the political debates of their time, and further ties the concerns of this period to present-day practice. The history of this dance is also a history of India itself, and readers can trace various national struggles over gender identity, regionalism, and globalism through O’Shea’s narrative. With over 250 teachers in the United States alone, bharata natyam offers a remarkable case study of how a traditional art form moves into the world.
 

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Contents

Performing Politics in an Age of Globalization
1
Tradition and the Individual Dancer
26
Nation and Region
70
Womens Questions
104
The Production of Locality
140
Toward a NewTransnationalism?
166
Notes
179
Glossary 108
198
Index
211
Copyright

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About the author (2007)

JANET O'SHEA is a reader in the department of dance at Middlesex University in the U.K. and a dancer. Her articles have appeared in The Drama Review, Asian Theatre Journal, and Dance Research Journal, and she was the 1998 recipient of the Society of Dance History Scholars' Selma Jeanne Cohen Award.

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