The Complete Guide to Digital Color CorrectionSterling Publishing Company, Inc., 2006 - 192 oldal |
Tartalomjegyzék
why we need | 7 |
chapter | 34 |
to get color right | 37 |
how we see | 44 |
addition | 52 |
getting ready to work with | 57 |
big dots and little dots | 64 |
get the light right | 93 |
mixed lightinglocalized color | 120 |
creative correction | 126 |
boosting color 2 | 134 |
creative use of desaturation | 144 |
making good mono from color | 152 |
duotones | 158 |
color models | 179 |
deviceindependent color | 186 |
simple tonal correction | 99 |
images with strong dominant color | 106 |
overexposed images | 114 |
Published by Lark Books A Division | |
Más kiadások - Összes megtekintése
Getting Colour Right: The Complete Guide to Colour Correction Michael Walker,Neil Barstow Nincs elérhető előnézet - 2004 |
Gyakori szavak és kifejezések
adjustment layer Adobe allows Apply areas Auto Options Background balance blue cast Channel CHAPTER clipping CMYK color correction color management color space contrast convert create Curves dark default detail device dialog digital cameras display editing effect example eyedropper format gamma gamut give graphics gray green highlight histogram Hue/Saturation Illustrator increase inkjet Input Levels it's layer Levels light limits look magenta match means midtone mixing mode monitor move neutral OK Cancel Load Options original output Output Levels photographic Photoshop picture pixels possible Preview printer produce Proof range reproduce resolution result Saturation Save scan scanner screen selection separations shadow slider Smooth standard there's tonal tones transparency usually values Window yellow