Sound Matters: Essays on the Acoustics of Modern German Culture

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Berghahn Books, 2004 - Music - 257 pages
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The sounds of music and the German language have played a significant role in the developing symbolism of the German nation. In light of the historical division of Germany into many disparate political entities and regional groups, German artists and intellectuals of the 19th and early 20th centuries conceived of musical and linguistic dispositions as the nation's most palpable common ground. According to this view, the peculiar sounds of German music and of the German language provided a direct conduit to national identity, to the deepest recesses of the German soul. So strong is this legacy of sound is still prevalent in modern German culture that philosopher Peter Sloterdijk, in a recent essay, did not even hesitate to describe post-wall Germany as an "acoustical body."

This volume gathers the work of scholars from the US, Germany, and the United Kingdom to explore the role of sound in modern and postmodern German cultural production. Working across established disciplines and methodological divides, the essays of Sound Matters investigate the ways in which texts, artists, and performers in all kinds of media have utilized sonic materials in order to enforce or complicate dominant notions of German cultural and national identity.

 

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Contents

Sound Nation?
20
Sounds of Silence
22
German Identity Music
33
The Third Symphony and the Political
49
Nazi Germany as
65
The Politics and Sounds of Everyday Life in Kuhle Wampe
79
Aural Strategies in Rolf Thieles
91
Word and Flesh in Fassbinders
104
Silence Is Golden? The Short Fiction of Pieke Biermann
142
Transmission Dissemination
155
Sounds Familiar? Nina Simones Performances
171
Roll Over Beethoven Chuck Berry Mick Jagger 1960s Rock
183
The Music That Lola Ran To
197
Heiner Goebbels and the Music
217
Music Media and Memory
228
Notes on Contributors
242

Benjamins Silence
117
Deafening Sound and Troubling Silence
130

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About the author (2004)

Lutz Koepnick is Associate Professor of German, Film and Media Studies at Washington University in St. Louis. He is the author of Walter Benjamin and the Aesthetics of Power (The University of Nebraska Press, 1999), for which he received the MLA's Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures in 2000; and of Nothungs Modernitšt: Wagners Ring und die Poesie der Politik im neunzehnten Jahrhundert (Munich: Wilhelm Fink Verlag, 1994). His next book, The Dark Mirror: German Cinema Between Hitler and Hollywood, will be published this fall by the University of California Press. He is currently working on a project, "Framing Attention: Windows on Modern German Culture."

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