may be communicated and sustained altogether at the same time; and, hence, we see the reason why the fundamental notes of large strings, such as those of the harpsichord and violoncello, are usually accompanied with harmonic notes, which are more or less... Essay on musical intervals, harmonics, and the temperament of the musical ... - Page 27 by Wesley Stoker Barker Woolhouse - 1835 - 84 pages Full view -
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