The Harlem Renaissance in Black and White

Front Cover
Harvard University Press, 1995 - Literary Criticism - 541 pages
1 Review

It wasn't all black or white. It wasn't a vogue. It wasn't a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance--or blamed for corrupting it--George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas's anthropology, Park's sociology, various strands of pragmatism and cultural nationalism--ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the "New Negroes." This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. It also allows a more careful investigation than ever before of the tensions among black intellectuals of the 1920s. Hutchinson's analysis shows that the general expansion of literature and the vogue of writing cannot be divorced from the explosion of black literature often attributed to the vogue of the New Negro--any more than the growing sense of "Negro" national consciousness can be divorced from expanding articulations and permutations of American nationality. The book concludes with the first full-scale interpretation of the landmark anthology The New Negro.

A courageous work that exposes the oversimplifications and misrepresentations of popular readings of the Harlem Renaissance, this book reveals the truly composite nature of American literary culture.

 

What people are saying - Write a review

User Review - Flag as inappropriate

This is looking like an ok book for the harlem renaissance.

Contents

American Modernism Race and National Culture
29
The Transformation of Literary Institutions
125
The New Republic
209
Anthology
278
The Cultural
289
Black Writing and Modernist American
342
Producing The New Negro
387
Epilogue
435
Notes
451
Index
533
Copyright

Other editions - View all

Common terms and phrases

References to this book

Imagining Insiders
Mineke Schipper
Limited preview - 1999
All Book Search results »

About the author (1995)

George Hutchinson is Associate Professor of English and Chairman of the American Studies Program, University of Tennessee, Knoxville.

Bibliographic information