Printmaking: history and process
Considers relief, intaglio, lithography, serigraphy, and expanded and applied techniques, using more than seven hundred drawings and photographs to complement a discussion of their histories and the procedures connected with each process
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acrylic adhered aluminum applied aquatint artist asphaltum blade blockout brush burin carbon cellulose century clean coating color copper counteretch crayon dampened deckle Diirer drawing drypoint edges edition effect embossed emulsion etching fabric ferric chloride fibers film flat frame glue gouges grain Graphicstudio grease ground gum arabic image areas inches intaglio printing James Rosenquist Japanese knife lacquer layer light lines litho lithographic material medium metal plate method Metropolitan Museum mezzotint mold Museum of Art nitric acid percent photo emulsions photographic piece pigment placed plastic pressure printing paper printing surface printmaking produce proof pulp registration relief printing remove roller rubbing scraper screen printing Serigraph sheet of paper shellac side silkscreen smooth soft solution solvent squeegee stencil stone or plate technique texture thin tion tonal tones tool transfer paper transparent tusche ukiyo-e varnish wash wood engraving woodcut York zinc