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Preliminary Investigation The Problems
Problems of Criticism in their relation
The First Steps Standards
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actual admit aesthetic alleged analysis appraisement artistic assertion Beethoven Berlioz Brahms Calvocoressi chapter chord clear Clive Bell colour composer composer's consider consists course deal Debussy definite determine doubt emotions Ernest Newman essays evidence exactly experience fact fail feel Hadow harmony ideas imagination imitation imply impressions instance intellect interest investigation judge judgements kind knowledge listener Liszt logic M. D. CALVOCORESSI matter means melody ment merely methods mind Modern Music Mozart musical criticism object opinion original Pelleas et Melisande play point of view polytonal possible practice praise principle problem programme programme music prove purely purpose question readers realize reason reference regard remains reply resort rhythm road to perdition rule Scriabin sense sounds standards starting-point statement student suggest symphony taste technical things tion tonal utterances Vincent d'Indy W. J. Turner whole-tone scale word writing