The Principles And Methods Of Musical Criticism |
Contents
Preliminary Investigation The Problems | 15 |
Problems of Criticism in their relation | 26 |
The First Steps Standards | 40 |
Copyright | |
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accept actual admit aesthetic appear artistic become begin better called certain chapter chord clear common comparing composer consider consists course deal decide definite depends described determine difficult discover doubt effect elements emotions equally evidence exactly example exist experience expression fact fail feel further give greater ground ideas imagination imply importance impressions instance interest judge judgements kind knowledge lead least less listener materials matter means ment merely methods mind musical criticism natural never notes object opinion original perhaps play point of view possible practice present principle problem prove purely question readers reason reference regard remains resort rule scale sense sounds stand standards statement student suggest taste technical tell things thought tion tonal true types various writing written