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EARLY DAYSTHE ROCK DRILL
STRENGTH OF MEDIEVAL SCULPTUREITS DECLINE
THE APPROACH TO ART
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achievement acutely ancient appeal architectural sculpture artist beauty Beethoven Bronze Paul Laib bronze portraits carving in Portland casting CHAPTER chisel Christ clay complete conception consciousness create criticism degree dignity Direct carving elemental motives eloquent ELSA LANCHESTER emotional Epstein's art evocativeness exist experience expression Facing fact feeling figure fundamental Genesis genius human ideas imaginative impression impulse influence Jacob Jacob Epstein Jacob Kramer Joan Greenwood less light LINE AND WASH look Madonna and Child mankind manner marble matter means medium metal modelling mystery naturalistic nature ness never organised painting Paul Robeson Peggy Jean Periclean age Phidias plastic Portland stone primitive profoundly profundity purely Rabindranath Tagore Ramsay Macdonald realised regarded religious Rima Rodin seen sense sensitive significance simplicity sion spiritual strangely studio sublimity surface Sybil Thorndike technical dexterity technique tendencies things thinking thought tion truth unity vigour vision vital wholly