Satchmo at the Waldorf

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Dramatists Play Service, Inc., Jan 1, 2015 - Drama - 40 pages
THE STORY: SATCHMO AT THE WALDORF is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong's playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York's Waldorf-Astoria Hotel, where Armstrong performed in public for the last time four months before his death. Reminiscing into a tape recorder about his life and work, Armstrong seeks to come to terms with his longstanding relationship with Glaser, whom he once loved like a father but now believes to have betrayed him. In alternating scenes, Glaser defends his controversial decision to promote Armstrong's career (with the help of the Chicago mob) by encouraging him to simplify his musical style, while Davis attacks Armstrong for pandering to white audiences.
 

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About the author (2015)

Terry Teachout is the drama critic of the Wall Street Journal, the critic-at-large of Commentary, and the author of “Sightings,” a biweekly column for the Friday Journal about the arts in America. He also writes about the arts on his blog, “About Last Night” (www.terryteachout.com). SATCHMO AT THE WALDORF, his first play, was commercially produced Off-Broadway in 2014 and has also been staged in Lenox, Los Angeles, New Haven, Orlando, and Philadelphia. He has also written the libretti for three operas by Paul Moravec: “The Letter,” “Danse Russe,” and “The King’s Man.” His books include “Duke: A Life of Duke Ellington,” “Pops: A Life of Louis Armstrong,” “All in the Dances: A Brief Life of George Balanchine,” “The Skeptic: A Life of H.L. Mencken,” and “A Terry Teachout Reader.” He served on the National Council on the Arts from 2004 to 2010 and received a Guggenheim Fellowship in 2012.

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