Final Cut Pro 7: Visual QuickPro Guide

Front Cover
Peachpit Press, Sep 3, 2009 - Computers - 99998 pages
Newly updated for Final Cut Pro 7, this Visual QuickPro Guide is hands-down one of the most sought out books on Apple's non-linear editing system. An undisputed master of the digital video medium, Lisa Brenneis once again demystifies the complexities of the program with her straightforward approach that uses tasked-based, step-by-step instructions and loads of visuals and time-saving tips. Busy professionals and newcomers alike will appreciate that they can quickly find and learn tasks specific to their needs, benefiting from the award-winning Visual QuickPro style. Topics covered include essential editing tasks and media-management strategies, transitions, effects and filters, rendering options, and much more. It includes coverage of new features such as the new speed tools, iChat theater support, and additional export options via the new Share menu, for delivering content to multiple devices including iPhone, iPod, and MobileMe. This is a must-have reference for anyone wanting to learn to use Final Cut Pro, whether they are new to the program or are upgrading.
 

Contents

Welcome to Final Cut Pro
1
Installing and Setting Up
19
Presets and Preferences
37
Projects Sequences and Clips
93
Capturing Video
139
Importing Digital Media
189
Organizing Clips in the Browser
205
Working with Clips in the Viewer
225
Creating Transitions
419
Compositing and Effects Overview
431
Motion Effects
457
Filters and Compositing
487
Titles and Generators
511
Real Time and Rendering
525
Creating Final Output
543
Managing Complex Projects
579

Basic Editing
257
Editing in the Timeline and the Canvas
285
Fine Cut Trimming Edits
347
Audio Tools and Techniques
379
Keyboard Shortcuts
617
Index
623
Copyright

Common terms and phrases

About the author (2009)

Lisa Brenneis is the author of all previous editions of this best-selling reference to Final Cut Pro, as well as all editions of Final Cut Express: Visual QuickStart Guide. Her production credits range from educational films cut on 16mm film to interactive digital media developed for cutting-edge formats that no one can play anymore.
She’s worked on video games, documentaries, museum exhibits, music videos, and laser light shows. Her clients have included Disney, MCA/Universal, the Getty Museum, the Library of Congress, the International Olympic Committee, and Mattel, among others. Lisa’s video documentary, Eat at Bill’s: Life in the Monterey Market, has been selected for the 2009 American Documentary Showcase and is airing as part of the PBS series “Natural Heroes.”

Bibliographic information