Print, Visuality, and Gender in Eighteenth-century Satire: "the Scope in Ev'ry Page"

Front Cover
Routledge, 2011 - Literary Criticism - 236 pages
0 Reviews

This study interprets eighteenth-century satire¿s famous typographical obsession as a fraught response to the Enlightenment¿s "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" ¿ a moment at which widespread attention was being paid, for the first time, to format, layout, and eye-catching advertising strategies. On the one hand, the Augustans were convinced of the ability of their elaborately printed texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers¿ physical but also moral vision. On the other hand, they feared that an overly scrutinizing gaze might undermine the viewer¿s natural faculty for candor and sympathy, delight and desire. In readings of Pope, Swift, and Montagu, Mannheimer shows how this distrust of the empirical gaze led to a reconsideration of the ethics, and most specifically the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by directly satirizing both the era¿s faith in the visual and its attendant publishing strategies, Pope and Swift pursued their critique via print itself: thus whether via facing-page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography never became either a mere tool of (or target for) the objectifying gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Introduction
1
Changing Modes of Satire at the Turn of the Eighteenth Century
19
Verse Visuality and Gender
53
The Quest for an Ethics of the Eye
67
Swifts and Popes Typographical TrainingGrounds of the Gaze
100
Pope Montagu and the Letter and the Spirit of the Law
136
Popes FourBook Dunciad and the Critique of Absorptive Textuality
153
Theatricalized Print and the Reciprocal Gaze Gender Politics in Popes Printed Playhouse
180
Notes
185
Bibliography
218
Index
230
Copyright

Other editions - View all

Common terms and phrases

About the author (2011)

Katherine Mannheimer is an assistant Professor of English at the University of Rochester, USA.

Bibliographic information