The Social History of Art: Naturalism, impressionism, the film ageVintage Books, 1957 - Art "Comprises volume 1 of the complete work."Translation of Socialgeschichte der Kunst und Literatur, v. 1. |
Contents
NATURALISM AND IMPRESSIONISM | 11 |
THE GENERATION OF 1830 3 | 29 |
THE SECOND EMPIRE | 60 |
Copyright | |
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absolute aesthetic aestheticism already ANDRÉ ANDRÉ BRETON aristocratic artistic attitude Balzac Baudelaire becomes begins bohème bour bourgeois society bourgeoisie character classical colour conception conflict consciousness criticism culture D. S. MIRSKY described Dickens Dostoevsky drama economic elements Eugène Sue everything existence experience expression fact feeling fight film Flaubert France French genre George George Eliot heroes human Ibid Ibsen idea ideal impressionism impressionistic individual intellectual intelligentsia July monarchy l'art pour l'art liberalism literary literature Madame Bovary Mallarmé material means ment merely middle class modern moral movement naturalism naturalistic never novel outlook painting Paris period philosophy play poetry political principle problems production Proust psychological purely rationalism readers realism reality relationship represents Revolution romantic romanticism Russian Second Empire sense Slavophils social socialistic spiritual spite stage Stendhal story struggle style taste theatre THOMAS MANN tion Tolstoy Victorian whole words writers Zola