White Weddings: Romancing Heterosexuality in Popular CultureFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company. |
Contents
Chapter One Lifting the Veil | 1 |
Chapter Two The WeddingIndustrial Complex | 20 |
Chapter Three Romancing the Clone | 73 |
Chapter Four Four Weddings and an Industry | 110 |
Chapter Five And They Lived Happily Ever After | 135 |
Epilogue | 141 |
Appendix | 144 |
Endnotes | 157 |
| 159 | |
Photo Permissions | 166 |
| 167 | |
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Common terms and phrases
advertising aka Wedding Alfred Angelo American audience average Barbie Best Friend's Wedding bridal gown bridal magazines bridesmaids Caravan Pictures celebrity weddings ceremony color couples diamond Diana division of labor dolls domestic dominant dress example feature feminine film and television Four Weddings gays and lesbians gender George groom heterogendered division Heteronormativity heterosexual imaginary hispanic historical honeymoon ideology of romantic illusion images institution of heterosexuality interests Julianne Kimmy lesbians live married Mattel messages middle-class movie Muriel's Wedding newlyweds organizing patriarchal heterosexuality percent popular culture popular film practices primary wedding market Princess princess bride production racial relations ring Robbie role romance romantic love secure sexual significant spectacle Suddenly Susan toys viewer Walt Disney wealth wedding consultants wedding films wedding gown wedding industry Wedding Night Wedding Singer wedding stories wedding-ideological complex wedding-industrial complex weddings in popular white wedding white wedding gown woman