Arguing about Art: Contemporary Philosophical Debates
Alex Neill, Aaron Ridley
Psychology Press, 2002 - Philosophy - 479 pages
This acclaimed and accessible anthology is ideal for newcomers to aesthetics or philosophy. Neill and Ridley introduce a wide range of discussions including sentimentality, feminism and aesthetics, appreciation, understanding and nature. Each chapter is accompanied by a clear introduction and suggestions for further reading.
This new edition has been fully revised and updated. It includes five new sections on the art of food, rock music and culture, enjoying horror, art and morality and public art.
Arguing about Artwill appeal to students of art history, literature, and cultural studies as well as philosophy.
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Food as art
The meaning of taste and the taste of meaning
Authenticity in musical performance
The concept of authentic performance
What is wrong with a forgery?
The decline of musical culture
Individual style in photographic art
How can we be moved by the fate of Anna Karenina?
Fiction and the emotions
Why is it that we take such enjoyment in horror movies
The paradox of horror
Morals in fiction and fictional morality
Morals in fiction and fictional morality a response
Musics worldly uses or how I learned to stop worrying and
Appreciation understanding and nature
between religion and natural history
Photography and representation
Scruton and reasons for looking at photographs
Other editions - View all
aesthetic appreciation Aesthetics and Art Anna Karenina appreciation of nature argued Art Criticism art form art-horror artistic artwork aspects audience authentic performance beautiful believe British Journal Carlson claim composer's concept context culture dance desire disgust example expression fact fear Federal Plaza feel feminist feminist aesthetics fictional characters fictional world film forgery genre horror fictions horror films ideal imagine intentions involve Journal of Aesthetics kind listeners look male meaning Meegeren monsters moral moved by nature movie narrative natural environment nature appreciation negative emotions object originality painting particular perhaps Philosophy photograph pity play pleasure properties public art question reason relevant represent representation representational art response Richard Serra Scruton sculpture seems sense sentimental Serra site-specificity sort sound story style suggests taste theory things thought Tilted Arc traditional understand University Press Vermeer Vietnam Veterans Memorial visual women