The Tower and the Bridge: The New Art of Structural EngineeringWhat do structures such as the Eiffel Tower, the Brooklyn Bridge, and the concrete roofs of Pier Luigi Nervi have in common? According to this book, now in its first paperback edition, all are striking examples of structural art, an exciting form distinct from either architecture or machine design. Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart. |
Contents
IV | 3 |
VI | 4 |
VII | 7 |
VIII | 8 |
IX | 11 |
X | 14 |
XI | 16 |
XII | 20 |
LIV | 112 |
LV | 113 |
LVI | 118 |
LVII | 122 |
LVIII | 125 |
LIX | 127 |
LX | 129 |
LXI | 133 |
XIII | 25 |
XIV | 27 |
XV | 28 |
XVI | 30 |
XVII | 33 |
XVIII | 37 |
XIX | 38 |
XX | 41 |
XXI | 45 |
XXII | 47 |
XXIII | 49 |
XXIV | 52 |
XXV | 54 |
XXVI | 60 |
XXVII | 61 |
XXVIII | 63 |
XXIX | 64 |
XXX | 66 |
XXXI | 67 |
XXXII | 69 |
XXXIII | 72 |
XXXIV | 73 |
XXXV | 74 |
XXXVI | 76 |
XXXVII | 78 |
XXXVIII | 79 |
XXXIX | 84 |
XL | 85 |
XLI | 87 |
XLII | 89 |
XLIII | 90 |
XLIV | 91 |
XLV | 94 |
XLVI | 97 |
XLVII | 99 |
XLVIII | 100 |
XLIX | 102 |
L | 104 |
LI | 105 |
LII | 106 |
LIII | 108 |
LXII | 136 |
LXIII | 139 |
LXIV | 145 |
LXV | 146 |
LXVI | 150 |
LXVII | 153 |
LXVIII | 154 |
LXIX | 161 |
LXX | 169 |
LXXI | 171 |
LXXII | 174 |
LXXIII | 181 |
LXXIV | 188 |
LXXV | 192 |
LXXVIII | 196 |
LXXIX | 197 |
LXXX | 202 |
LXXXI | 204 |
LXXXII | 207 |
LXXXIII | 211 |
LXXXIV | 212 |
LXXXV | 215 |
LXXXVI | 218 |
LXXXVII | 220 |
LXXXVIII | 228 |
LXXXIX | 231 |
XC | 232 |
XCI | 234 |
XCII | 235 |
XCIII | 237 |
XCIV | 242 |
XCV | 244 |
XCVI | 247 |
XCVII | 252 |
XCVIII | 254 |
XCIX | 264 |
CII | 269 |
CIII | 275 |
CIV | 293 |
Other editions - View all
The Tower and the Bridge: The New Art of Structural Engineering David P. Billington Limited preview - 2022 |
The Tower and the Bridge: The New Art of Structural Engineering David P. Billington Limited preview - 2022 |
Common terms and phrases
aesthetic American Ammann analysis appearance arch architects architecture beauty began bridge Brooklyn Brunel building built calculations Candela carry Center central century chapter Chicago Civil Engineers columns competition completed concrete construction continuous contrast cost create deck detailed developed direct discussion early economy Eiffel example experience express fact feet figure final forces Freyssinet German Gothic ideals ideas industrial integration iron Isler John Khan later leading less light Lindenthal load Maillart major material mathematical means Menn metal nature needed Nervi never play possible practical prestressing problem reflect reinforced result ribs River Robert Roebling roof scale scientific sense shape shell Society solution span steel stone structural art structural artists supports suspension bridge Swiss symbolic technical Telford theory thin tion tower tradition vaults vertical visual walls writing York