Censorship and Literature in Fascist Italy

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University of Toronto Press, 2007 - Literary Criticism - 405 pages

The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production.

Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's literary history, such as relationships between the regime and particular publishers, as well as individual cases involving renowned writers like Moravia, Da Verona, and Vittorini. Censorship and Literature in Fascist Italy charts the development of Fascist censorship laws and practices, including the creation of the Ministry of Popular Culture and the anti-Semitic crack-down of the late 1930s.

Examining the breadth and scope of censorship in Fascist Italy, from Mussolini's role as 'prime censor' to the specific experiences of female writers, this is a fascinating look at the vulnerability of culture under a dictatorship.

Contents

Introduction
3
Towards a New System
13
Carrots Sticks and Charismatic Ruling
27
The Censor and the Censored
58
ess Office to Ministry of Popular Culture
95
o Ciano at the Press Office
107
istry for the Press and Propaganda June 1935May 1937
114
istry of Popular Culture
120
itism and Cultural Reclamation
169
ing Book Reclamation
177
of the Screw
191
ifica Becomes Public
206
nip Denied
214
Fiction and Weak Autarky
221
ed Business
237
Notes
267

Italian Literature
129
di
140
Massimo Bontempelli and Alberto
150
Sem Benellis AntiBourgeois Plays
158
261
332
Bibliography
373
Index
393

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About the author (2007)

Guido Bonsaver is University Lecturer in Italian and Fellow of Pembroke College, Oxford.

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