The Art and Science of Carnatic Music |
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Contents
General Introduction and Fundamental Concepts | 1 |
Musical Scale | 14 |
Formation of Scales | 21 |
Copyright | |
21 other sections not shown
Common terms and phrases
anga-s appear approach aspects beat becomes called Carnatic century CHAPTER chart classification composers compositions consists corresponding derived dhaivata Dikshitar elaboration emotions example experience expression fifth five fixed four frequency frets fundamental gamaka given gives hand Hence higher interval janaka janya Kharaharapriya kriti laghu language later lower madhyama means mēļa mēļa-s melody method musical forms musical scale nature notes observed obtained occur octave oscillations pallavi panchama particular phrase pitch played position possible practice present produced rāga räga-s relative rendered respectively rishabha Sankarābharanam Sanskrit scale scheme scientific seven shadja short slide sound speed śruti-s starting steady stress string student suddha suddha-madhyama svara-s syllables taken taking tāļa Tamil tempo term Tödi traditional Tyāgarāja units values varieties various verse voice
Bibliographic information
| Title | The Art and Science of Carnatic Music [Wolfgang Laade Music of Man Archive] |
| Author | Vidya Shankar |
| Publisher | Music Academy Madras, 1983 |
| Original from | the University of Michigan |
| Digitized | May 12, 2010 |
| Length | 248 pages |
| Export Citation | BiBTeX EndNote RefMan |