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Music in the Narrative Cinema
chapter 1 Narratological Perspectives on Film Music
12 other sections not shown
action aesthetic audience background music camera Caussat chapter characters Christian Metz Clair classical film close-up concerto connotative context continuity conventions critics cultural Denham dialogue diegesis diegetic music diegetic sound dramatic editing Eisler and Adorno elements emotional example film music film score film's filmic discourse functions genre George George's Hangover Square Hanns Eisler hear heard Hollywood identify impression of reality instruments Jaubert jazz listening logic Maurice Jaubert Max Steiner means melodrama melody mickey-mousing Mildred Pierce mood motif movement music in film musical accompaniment musical codes musical themes musicians narration narrative cinema narrative film Netta Nights of Cabiria nondiegetic music offscreen orchestra piano picture plays principles psychological realistic recorded representation rhythm rhythmic romantic Sabaneev scene screen sequence shot signify silent film song sound film soundtrack Sous les toits spatial spectacle spectator spectator's story structure studio technological temporal textual tonal University Press Veda viewer violin visual voice York