Social Harmony: Music, Modernism and the Mass Public in Nineteenth-century France |
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æsthetic Alfred Bruneau Arch argued Arthur Pougin artistic audience Beaux-Arts Beethoven Berlioz Bruneau café-concerts César Franck Charpentier Chevé choral classes classical Comique Compositeurs de Musique Concerts populaires Conservatoire critics d'Indy Debussy democratic director dramatic Dubois elite emotional Ernest Reyer Fauré Félicien David France French composers French music genres ideal imitative inspired institutions la Musique populaire later Librairie lyric theater Lyrique Massenet melody Ménestrel Ministre modern modernist moral movement musical art musical culture musical language musicale musicians Musique française Napoléon Natl nature nineteenth century Opéra Populaire Opéra-Comique orchestral orphéon Paris Parisian Pasdeloup performance political popular concert popular opera principal theaters programs public concert pure Rapport repertoire Revue Richard Wagner romantic Romantic Musical Rome Saint-Saëns Schola Second Empire sense social harmony Société des Compositeurs Société des Concerts spiritual subvention symphonic Théâtre Théâtre-Lyrique Théodore Dubois third lyric theater Third Republic tonal traditional unity verists Vincent d'Indy Wagner's music Wagnerian