Making Effective Photographs |
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Ansco appeal balance Barbara Standish better boat camera position center of interest Chapter chiaroscuro Coccine composition and design contrast CONTRAST FORMULA control process copy negative correct darkened depth of tone diagonal diagram dodging dramatic easel effective enlarger example experience exposure expressive eye travel faults Figure Figure 17 film final print finished print foreground ground glass Harold Elliott horizontal illustrate important improve large test print light area lightened line and form linear arrange Long Road Home look mask mediobrome method Metol mezzotint minor key mood motif nature necessary objects paper negative pencil photographer pictorial pictorialist Picture Analysis Form picture area possible Potassium bromide principles proportional relationships road salon scene shadow shape simple slow chloro-bromide Sodium carbonate Sodium sulfite subject matter thing tion tonal tonal modifications tracing paper trees trimming unity usually vertical water color worker