Aesthetics: Lectures on Fine Art, Volume 2 |
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Page 633
... kind of architecture is of a strictly symbolic kind both in its content and in its mode of presenting it . What has been said about the principle of this stage applies equally to its mode of presentation . Here too the mere difference ...
... kind of architecture is of a strictly symbolic kind both in its content and in its mode of presenting it . What has been said about the principle of this stage applies equally to its mode of presentation . Here too the mere difference ...
Page 1041
... kind ( though it cannot be perfectly developed , since the subject - matter is incomplete ) , there is a risk of running into the tone of a different kind , the lyric in this case , for example . ( y ) Thirdly , as I have already ...
... kind ( though it cannot be perfectly developed , since the subject - matter is incomplete ) , there is a risk of running into the tone of a different kind , the lyric in this case , for example . ( y ) Thirdly , as I have already ...
Page 1218
... kind . But the tragic denouement need not every time require the downfall of the participating individuals in order to obliterate the one - sidedness of both sides and their equal meed of honour . We all know that the Eumenides of ...
... kind . But the tragic denouement need not every time require the downfall of the participating individuals in order to obliterate the one - sidedness of both sides and their equal meed of honour . We all know that the Eumenides of ...
Contents
THE SYSTEM OF THE INDIVIDUAL | 613 |
DIVISION OF THE SUBJECT | 621 |
ARCHITECTURE | 630 |
Copyright | |
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Aesthetics: Lectures on Fine Art, Volume 2; Volume 1000 Georg Wilhelm Friedrich Hegel No preview available - 1988 |
Common terms and phrases
abstract action actual Aeschylus already animal appearance architecture Aristophanes artistic aspect beauty become caesura character chief thing classical classical architecture colour columns comedy concrete connection contrary detail divine dramatic poetry element entirely epic poetry especially essential event example existence expression external feeling figures give gods Goethe Gothic architecture Greek hand harmony heart Hegel Herodotus human human voice ideal ideas Iliad imagination independent individual inner kind libretto living lyric lyric poetry material matter means melody mind mode movement nature objective painting particular passion Phidias poems poet poetic portrayal portrayed precisely present principle produced prosaic purely reality relation religious remains rhyme romantic romantic poetry sculpture Secondly sense sensuous shape simple situation song Sophocles sort soul sound specific sphere spirit subject-matter subjective substance syllables symbolic art Thirdly tion tragedy treatment unity universal vidual whole Winckelmann words Zeus