Political Shakespeare: Essays in Cultural MaterialismJonathan Dollimore, Alan Sinfield 1. Shakespeare, cultural materialism and the new historicism-2. Renaissance authority and its subversion, Henry IV and Henry V.- 3. This thing of darkness I acknowledge mine: The Tempest and the discourse of Colonialism. - 4. Transgressioon and surveillance in Measure for Measure. - 5. The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure. - 6. Strategies of State and political plays: A Midsummer Nights̀ Dream, Henry V, Henry VIII. - 7. Shakespeare understudies: the sodomite, the prostitute, the transvestite and their critics. - 8. Introduction: Reproductions, interventions. - 9. Givee an account of Shakespeare and Education, showing why you think they are effective and what you have appreciated about them. Support your comments with precise references. - 10. Royal Shakespeare: theatre and the making of ideology. - 11. Radical potentiality and institutional closure:Shakespeare in film and television. - 12. How Brecht read Shakespeare. - 13. Heritage and the market, regulation and desublimation. |
Contents
Stephen Greenblatt | 18 |
Paul Brown | 48 |
Jonathan Dollimore | 72 |
Copyright | |
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Political Shakespeare: Essays in Cultural Materialism Jonathan Dollimore,Alan Sinfield Limited preview - 1994 |
Common terms and phrases
actors Alan Sinfield Antony audience authority become Brecht brothels Caliban challenge characters civil Cleopatra colonialist discourse colony contemporary contradictions Coriolanus course courtly cross-dressing cultural materialism David Giles demonising desire director displacement Dollimore dominant drama Duke effect Elizabethan England English especially exploitation feminist film gender George Whetstone Hal's Harriot Henry Henry IV history plays human ideology insists institutions interpretation Jacobean Jonathan Jonathan Dollimore king King Lear language Lear Lear's legitimate literary literature London Macbeth masterless meaning Measure for Measure Messingkauf Methuen modern moral narrative nature patriarchal perspective Peter play's political position potential present production Prospero prostitution question radical Raymond Williams relations Renaissance resistance Richard Richard II Routledge savage scene seems sense sexual Shakespeare Shakespeare's plays social order society stage Stephen Orgel strategy subordinate subversive television theatre theatrical Tillyard tion traditional tragedy University Press women World Picture