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17th of April acted actor actress admirably afterwards appearance applause asked audience Bath Beggar's Opera bequeath unto Betterton Booth Bowen called Cato character Coffee House Colley Cibber comedy competitor court Covent Garden Covent Garden Theatre dance death Delane deposed desired dramatic drink Drury Lane Theatre Dublin engaged entertainment excellent Fair Penitent Falstaff fame father favour Fleece Tavern Fleetwood Garrick gave genius gentleman give and bequeath heard humour hundred pounds James Quin John Dories King lady Lincoln's Inn Fields London Lord Macklin manager manner Master merit Nash Nash's natural never night occasion Othello pantomimes passion person piece play poet Pope's Head Tavern Porter present Prince prologue Provoked Wife Quin performed Quin's Quinn rehearsal replied Rich Room Ryan scarce scenes season Shakespeare shewed soon stage success Sword Theatre Royal theatrical Theophilus Cibber Thomson told town tragedy walk whilst Wilks wounded
Page 83 - Indian mount, or fairy elves, Whose midnight revels, by a forest side, Or fountain, some belated peasant sees, Or dreams he sees, while overhead the moon Sits arbitress, and nearer to the earth Wheels her pale course ; they, on their mirth and dance Intent, with jocund music charm his ear ; At once with joy and fear his heart rebounds.
Page 89 - When Lothario gave Horatio the challenge Quin, instead of accepting it instantaneously, with the determined and unembarrassed brow of superior bravery, made a long pause, and dragged out the words, ' I'll meet thee there !' in such a manner as to make it appear absolutely ludicrous.
Page 93 - In fancied scenes, as in life's real plan, He could not, for a moment, sink the man. In whate'er cast his character was laid, Self still, like oil, upon the surface play'd. Nature, in spite of all his skill, crept in : Horatio, Dorax, Falstaff, — still 'twas Quin.
Page 27 - Herculean satirist, this drawcansir in wit, that spared neither friend nor foe ; who, to make his poetical fame immortal, like another Erostratus, set fire to his stage, by writing up to an act of parliament to demolish it.
Page 101 - That tongue which set the table on a roar, And charm'd the public ear, is heard no more ! Clos'd are those eyes, the harbingers of wit Which spoke, before the tongue, what Shakespeare writ ; Cold are those hands, which, living, were stretched forth At friendship's call to succour modest worth.
Page 92 - Though we deny imaginary grace, Founded on accidents of time and place ; Yet real worth of ev'ry growth shall bear Due praise, nor must we, Quin, forget thee there. His words bore sterling weight, nervous and strong In manly tides of sense they roll'd along. Happy in art, he chiefly had pretence To keep up numbers, yet not forfeit sense. No actor ever greater heights could reach In all the labour'd artifice of speech.
Page 13 - Music has charms to soothe a savage breast, To soften rocks, or bend a knotted oak. I've read that things inanimate have moved, And, as with living souls, have been informed, By magic numbers and persuasive sound.
Page 86 - That Garrick was a new religion ; Whitfield was followed for a time ; but they would all come to church again.
Page 92 - Their darling chief, and lin'd his fav'rite cause. " Far be it from the candid Muse to tread Insulting o'er the ashes of the dead, But, just to living merit, she maintains, And dares the test whilst Garrick's genius reigns, Ancients in vain endeavour to excel, Happily prais'd, if they could act as well. But though prescription's force we disallow, Nor to antiquity submissive bow ; Tho...