The Impossible David Lynch
Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.
Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.
What people are saying - Write a review
The impossible David LynchUser Review - Not Available - Book Verdict
Filmmaker David Lynch, whose work ranges from the disturbing seminal cult filmEraserhead to the big-budget sf flopDune , delights in confounding the expectations of critics and moviegoers alike ... Read full review
The Bizarre Nature of Normality
Sacrificing Ones Head for an Eraser
The Integration of the Impossible Object in The Elephant Man
Dune and the Path to Salvation
Fantasizing the Father in Blue Velvet
The Absence of Desire in Wild at Heart
Twin Peaks Fire Walk with Me and Identification with the Object