Sources of Dramatic Theory: Volume 1, Plato to Congreve
This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theater. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are still relevant to our understanding of drama and theater. Many of the texts have been freshly translated and all have been newly annotated and introduced by the compilers, who draw attention to recurrent themes by a system of cross-references. Michael Sidnell's useful introduction explores the issues that frequently concern these writers and practitioners: the nature of imitation, the relation of dramatic text to live performance, the effect of stage action on audience emotion and behavior--issues that still concern critics and theorists of drama today. Later volumes will cover the period from Diderot to Victor Hugo, modern dramatic theory, and performance theory.
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Julius Caesar Scaliger
Bartolome de Torres Naharro
1O Giambattista Giraldi Cinthio
Felix Lope de Vega
Thomas Hey wood
Two seventeenthcentury views of Corneilles Le Cid
Francois Hedelin abbe dAubignac
Charles de SaintEvremond
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action actors Aegisthus Aeschylus ancient Aristophanes Aristotle Aristotle's arouse Art of Poetry audience Ben Jonson called Castelvetro CHAPTER character comic compassion concerned Corneille critical death decorum delight dialogue discourse dramatic dramatist emotions epic epic poetry epitasis Euripides example fiction follows French genre give Greek hamartia happened happy Homer Horace human humour imitation incidents invented Iphigenia Jonson kind kings language laughter Le Cid Lope de Vega matter means Medea mind misfortune moral narration nature never observed Oedipus Orestes passions performed persons pity and fear Plato Plautus play playwright pleasure plot poem poet Poetics precepts present PROLOGUE protasis purge reason recognition representation represented Roman rules Saint-Evremond Scaliger scene Sophocles soul speak spectators speech stage story Terence theatre theory things thought Thyestes tragedy and comedy tragic tragicomedy translation true truth unity verisimilitude verse virtue words writing