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JT OF PLATES
PREFACE TO VOLUME ONE
NONWESTERN MUSIC by Peter CrossleyHolland I ANCIENT MESOPOTAMIA
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Alleluia ancient antiphon Arabic ballades ballate became Byzantine called century B.C. chant China Chinese choir Christian Church classical clausula composers compositions conductus court culture dance discant drum dynasty early Egypt estampies Europe feast five-note scale flute fourteenth century Francesco Landini French gamelan Gloria Gradual Greek Gregorian Guillaume de Machaut harmony Hindu hymns important Indian influence instruments intervals Islam isorhythmic Italian Jewish known Kyrie late Ars Nova later Latin liturgical lute Machaut madrigal manuscripts Mass medieval melody modern modes monks motet musicians neumes notation notes octave orchestras organum origin performance period Philippe de Vitry pieces plainsong played poems poetry polyphonic popular psalms raga Responsory rhythm rhythmic rites Roman rondeaux secular music sequence singers singing solo songs sound strings style sung syllable Temple tenor tetrachord theory thirteenth century three-part tone tradition trecento trope tunes two-part verse virelai vocal western words written zither