This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception.
What people are saying - Write a review
Review: The TempestUser Review - Helena - Goodreads
Good, not great. I enjoy Shakespeare's writing, plots & characters always, but I've liked some of his other works more. Read full review
Review: The TempestUser Review - Hankrose - Goodreads
While not known for it's verisimilitude, this play is deceptive, there is a lot of symbolism and things going on that might not be the first thing you notice. It sends one thinking, is Prospero good ... Read full review