BeethovenLee & Shepard, 1872 - 137 pages |
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able according ćsthetic allegorical dream already analogy appear apprehend attained awakening beatified become Beethoven Beethoven's music brain cerning character choral clairvoyance cognition conceptions consciousness Coriolanus deepest sleep depotentialized depths drama dream-image emancipated entirely eurythmy excitation explain expressed external world fashion Faust feel genius German spirit Goethe hand Haydn hearing human human voice ical idea immediate impressions inner world Italian Jesuitical language laws light manifested manner Master melody ment Mozart musician nature of music nature of things Ninth Symphony occurrences once opera organ of dreams origin ourselves outer world perceive perception phenomenal world philosopher plastic art plastic artist poet poetic productivity profound proper pure recognise relation rendered RICHARD WAGNER Schiller Schopenhauer semblance sense Shakespeare's shapes sight somnambulistic sonata soul speaks sphere spirit of music sublime taste tendency tion Tiresias tones understand virtue vocal Wagner waking wholly wonderful world of phenomena world of sound