In the Course of Performance: Studies in the World of Musical Improvisation
In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art.
Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan.
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An Art Neglected in Scholarship
Psychological Constraints on Improvisational Expertise and Communication
Do Javanese Gamelan Musicians Really Improvise?
Improvisation Ecstasy and Performance Dynamics in Arabic Music
Go On Girl Improvisation in AfricanAmerican Girls Singing Games
Improvisation in Latin Dance Music History and Style
Oh Freedom George Russell John Coltrane and Modal Jazz
Melodic Improvisation in Karnatak Music The Manifestations of Raga
Setting the Stage Clara Schumanns Preludes
A Sense of the Possible Miles Davis and the Semiotics of Improvised Performance
The Improvisation of Louis Armstrong
Keeping It Going Terms Practices and Processes of Improvisation in Hindustani Instrumental Music
Taqsim Nahawand Revisited The Musicianship of Jihad Racy
Improvisation and Group Interaction in Italian Lyrical Singing
Exploding the Belly Improvisation in Cantonese Opera
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aesthetic alap alapana Arabic music art music artist audience band basic beat Blues Cantonese opera cengkok chord Clara Clara Schumann Coltrane Comic role composed composition concept context creative culture dance rhythm edited ensemble Ethnomusicology example gambang gamelan genres girls improvisation improvisatory Indian individual instrumental interaction Javanese Javanese Gamelan jazz kambhoji Latin music listeners Louis Armstrong Lydian lyrical singing mance maqam Miles Miles Davis Miles's modal modal jazz musi musical improvisation musicians nahawand Nettl notation notes octave ornamentation passage patter speech patterns performance practice phrases piano pieces pitch players playing preludes Racy Racy's raga Ravi Shankar recordings reference rhythmic role actor Russell Schumann sections segment sequence Shankar singer skeletal melody solo song spontaneous structure style Suhardi sung on dance svara kalpana syllables tala taqsim tarab techniques tempo tion tonal tones tonic tradition trumpet tune University Press variation vocal Wieck York
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Music and the Sociological Gaze: Art Worlds and Cultural Production
Peter J. Martin
No preview available - 2006