Hidden Presences: Monuments, Gravesites, and Corpses in Greek Funerary Epigram
Hidden Presences explores the inheritances of Hellenistic literary epigram from the sepulchral sub-genre of inscribed epigram. Divorced from the stone and the burial site, the literary form enjoys a new freedom, but exhibits this independence in a deliberate but creative use of out-of-date themes (notably roadside placement of the monument), subversive use of the inscribed epigrams' attempt to betray the "hidden presence" of the deceased, and exploitation of sepulchral conceits surrounding cenotaph. Indeed, this study shows not only that the fourth- and third-century poets at the headwaters of the literary tradition were interested in inscriptional precedents, but also that this interest was exercised down to the time of the epigrammatist Meleager. The poets within the variative community of literary epigram therefore carry on a literary conversation not simply between themselves, but between themselves and the inscribed tradition, and among themselves about the inscribed tradition.
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absence appears archaic Asclepiades become begins body burial buried Callimachus cenotaph circa circumstances collection concealment contains continues convention couplet creates dead death deceased died distich early earth elegiac elements epigram epigrammatists epitaph evident example expectation fact fate father final fourth century function further gives Gow and Page grave Greek Gutzwiller 1998 GV-I Hansen Hellenistic hidden presence Homeric important inscribed inscription lament late later Leonidas light literary literary epigram living lost marker memory ment mention monument motif obscuring oņua passerby Peek perhaps period Perses person placement poem poets Posidippus position possible present reader realm reference remains represented revealed rhetoric road roadside scene sense sepulchral shipwreck simply situation speaks standard stands stone Stratonice suggests surface term theme Theris third century tion tomb tradition tumulus voice