Handbook of Early American Decoration |
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Page 13
... lithopone - prepared paper . Never use a wax tracing paper . Prepare your own tracing paper by rubbing lithopone powder on a piece of paper taken from your tracing pad . Rub one side of the paper with lithopone powder , applied with a ...
... lithopone - prepared paper . Never use a wax tracing paper . Prepare your own tracing paper by rubbing lithopone powder on a piece of paper taken from your tracing pad . Rub one side of the paper with lithopone powder , applied with a ...
Page 38
... lithopone prepared transfer paper . It will be a little diffi- cult to see your pattern , but we have found the lithopone to be better than graphite paper . Always trace patterns neatly , making sure that they are well drawn and that no ...
... lithopone prepared transfer paper . It will be a little diffi- cult to see your pattern , but we have found the lithopone to be better than graphite paper . Always trace patterns neatly , making sure that they are well drawn and that no ...
Page 86
... lithopone paper on dark grounds . Lithopone paper is prepared by rubbing a small amount of lithopone on a piece of paper taken from your tracing pad . Use a small wad of cotton to distribute the powder . Then use your fingers to rub it ...
... lithopone paper on dark grounds . Lithopone paper is prepared by rubbing a small amount of lithopone on a piece of paper taken from your tracing pad . Use a small wad of cotton to distribute the powder . Then use your fingers to rub it ...
Contents
CHAPTER | 1 |
Painting in Color | 15 |
Rectangular Tray with Rounded Corners | 29 |
Copyright | |
5 other sections not shown
Common terms and phrases
accent alizarin crimson antique apply areas band black background black paint black varnish medium blend boxes bronze powder brush strokes burnt umber chest Chippendale Tray chrome yellow medium clean coat of paint coat of varnish cover dark decorated deep gold dry brush dust edges excess gold finger finished floor flowers fruit furniture glaze gold leaf gold powder gold-bronze powder green Hitchcock Chair inches India ink japan paint Lace-Edge Tray light lines lithopone mineral spirits mixed mother-of-pearl palladium leaf panel pattern pencil petals Photograph piece Place Pontypool Prussian blue pumice quill brush raw umber reaches the tacky Rectangular Tray rose sable brush sanding primer shade shadow sides shellac silver powder smooth smudge soft stamens steel wool stencil surface tack cloth tacky stage thin turpentine Twenty-four hours later umber and varnish underpainting veins velvet Venetian red wad of cotton waterproof sandpaper wipe yellow dots yellow ochre